Another Tribal House mix to keep you groovin. Starts out with a gorgeous 'Maravilla" from Laera and drives into some more tribal with a definite house / funk chug.
Bringing back the drums again!! A tribal house adventure for the masses. A little tribal , a little latin , and a lot of funky deep basslines. Download and let the beats take you where they will.
Authorized the Total or Partial Reproduction of this work / Autorizada a Reproducão Total ou Parcial deste trabalho / Autorizó la Reproducción Total o Parcial de la obra. Savannah Party Mix by Dj El Loco Download (Alternative NEW LINK): http://www.mediafire.com/?3ik7krr0ay.. Follow me:www.facebook.com/djelloco COVER: http://www.6600.es/images/xtxa1g4bx4pxo... Thank you lovely followers and friends, for believing in my work!
This set contains tracks that were remixed by one of my favorites remixers, the late Peter Rauhofer.
Peter Rauhofer (29 April 1965 – 7 May 2013) was a disc jockey (DJ), remixer and producer who formerly went under the moniker Club 69 as well as Size Queen. A native of Vienna, Austria, he was famous for a variety of his remixes including Cher's, "Believe", and a number of Madonna's songs including "Nothing Really Matters", "American Life", "Nothing Fails", "Nobody Knows Me", "Get Together", "Impressive Instant", and "4 Minutes", as well as her collaboration with Britney Spears, "Me Against The Music" and various collaborations with Janet Jackson, ("Throb," "Just A Little While" to name a few). He has also provided remixes for Whitney Houston, Jessica Simpson, Britney Spears, Christina Aguilera, Yoko Ono, Pink, Tori Amos, Pet Shop Boys and Mariah Carey. He was also behind the tribal house record label Star 69 and was frequently a producer of the label's releases
THIS MIX WAS PREDICATED THE OTHER NIGHT AFTER I HEARD A MIX FROM DJ F WHERE HE WAS PLAYING TURNTABLE BATTLER, HAHA, THIS IS CHAOS, WHEN I SAY CHAOS NOT JUST SAYING ITS CHAOS BECAUSE OF A CERTAIN SOUND BUT THE DIFFICULTY IN MAKING IT HAPPEN, THIS TOOK ME SEVERAL TIMES TO MAKE IT ACTUALLY WORK, THIS WAS NOT JUST OK HERE ARE SOME TRACKS MIX THEM TOGETHER AND UPLOAD THEM, I NEVER JUST DO THAT ANYWAY BUT THIS HAS A ELEMENT OF THE RANDALL STYLE MIXING WHERE I TYPICALLY WILL EDIT SOME TRACKS AND THEN GET SAMPLES OR LOOPS READY AND THEN BLAZE AWAY A MIX, BUT THIS HAS SOME SECTIONS WHERE ITS NOT ONLY INTERWEAVING TRAFFIC BUT BRINGING BASSLINES UP JUST WHEN YOU THINK THEY ARE UP THERE NOT JUST EVER SO SLIGHTLY TO TOY WITH THE LISTENER AND LOOPS TO CREATE AN ACTUAL DIFFERENT SOUND ALL TOGETHER ((((((WHICH IS ALL IN MY OTHER MIXES BUT THIS HAS THE BATTLE TYPE EXPERIENCE GOING ON THAT IS BEYOND DIFFICULT TO PULL, BASICALLY SAYING YOU WOULD NEVER ATTEMPT AT A SHOW UNLESS YOU PRACTICED THE ROUTINE BEFORE HAND OTHERWISE TRAIN WRECK CITY. HAHA, . ANYWAY ENOUGH TALKING THIS IS FOR ALL MY FANS THAT ENCOURAGE ME AND KEEP ME MOTIVATED TO GIVE YOU AN EXPERIENCE OF A RANDALL MIX WITH A JOURNEY THROUGH A BUILDING OF DIFFERENT ELEMENTS OF TECHNO, I HOPE MY FRIENDS AND FANS ENJOY WORLDWIDE AND WHEN MAKING THIS MIX I KEPT YOU GUYS IN MIND AND WANTED TO KNOCK AT LEAST SOMEONES SPEAKERS OR SOCKS OFF, AND IF YOU DON'T LIKE IT GO TUNE INTO SOME COMMERCIAL TRACK DJ OUT THERE MAYBE THEY CAN IMPRESS YA.:))). BUT THIS IS FOR THE UNDERGROUND HEADS THAT KEEP ME MIXING FOR YOUR EAR CANALS AND PLEASURE. WITHOUT YOU GUYS I WOULDN'T WORK TO DO SOMETHING DIFFERENT THE WAY I DO. JRT 2013
Welcome to the Jungle....this is my new Tribal House Mix! Cause I was asked so often, to do a new Mix in this genre, here are now some of my latest and hottest tracks in a continuous deep pumping Mix! Close your eyes and feel the rhythm of the jungle!
Just decided to create a random mix with Elvis Presley acapella and some rythm and lots of drums & sexy music, also random butt photo :D just random NIGHT in this random LIFE!
Well, in the last five years it has pretty much shoved all other genres and styles out of the way to become the dominant sound of South Africa. It is so popular that the the country now has the world's biggest House music market per capita, and this October a Johannesburg-based music company (Bass Breaks & Beats) will organise the first award ceremony dedicated to House music, the South African House Music Awards.House music took root in Pretoria, South Africa in the early 1990s, then spread to Johannesburg where it was slowed down and combined with local elements to form Kwaito. But if Kwaito was the music that defined the generation that came of age after apartheid, the beats have been ramped back up and South African House music is now more in tune with today's increasingly "globalised" South Africans.Sometimes called Afro House, sometimes Dance music, South African House is distinctly South African. Meaning what? Ok, we're going to put some noses out of joint by saying this but a lot of "international" House lacks a sense of place, and can sometimes sound like nothing but beats (Techno House is often guilty of this). Fine if you're some off-his-head teenager willing to dance to anything with a fast beat, but even then it probably gets a little samey. South African DJs took what they learnt from Kwaito and applied it to House, which means taking your basic 125BPM and adding elements that ground it in the lived reality of South Africans. Thus you will sometimes hear lyrics in one of the local languages (of which there are 11 if you exclude English and Afrikaans), samples from real traditional instruments (drums, in particular, something integral to African music), and heavier basslines than you might find in House music from elsewhere. A track might use a harmony or melody from an old South African song, and the lyrics, minimal though they might be, will be about something people recognise, something political, humorous, traditional, celebratory, etc. It's party music, but it still ties in with South African identity and history, and has meaning beyond music.This flexible hybrid is what you'll hear in South Africa's clubs, or if you turn on the radio, take a ride in a taxi (it was through taxis that the early house music compilations were distributed), visit a shebeen or a shisa nyama, basically wherever there's music playing. And with the world's dance music lovers' growing hunger for the "foreign but familiar" you're almost as likely to hear the same sound whether you're clubbing in London or Miami. Which is why the biggest names - Oskido, Black Coffee, DJ Fresh, DJ Cleo, etc. - have been racking up airmiles on the international DJ circuit for the past five years.As we did with the Kwaito piece, here are 12 of the best from the last few months, followed by some album recommendations. First, though, we tip our hat to DJ Mujava, the man behind the 2006 hit Township Funk. DJ Mujava wasn't the pioneer of South African House - that honour belongs to DJ Oskido and DJ Fresh - but this was the track that first tuned the world into South African House.
*CYBER VOODOO IN DA HOUZE*SPACE & TRIPPY HOUZE MIXED BY PIMP MASTER: <DER HOUZE SCHAMANE> THIS HOUZE IST NOT FROM THIS WORLD !!! (aka JIM BOB) CYBER HOUZE IS A NEW HOUSE STYLE 4 THIS FUTURE
This set contains tracks that were remixed by one of my favorites remixers, the late Peter Rauhofer.
Peter Rauhofer (29 April 1965 – 7 May 2013) was a disc jockey (DJ), remixer and producer who formerly went under the moniker Club 69 as well as Size Queen. A native of Vienna, Austria, he was famous for a variety of his remixes including Cher's, "Believe", and a number of Madonna's songs including "Nothing Really Matters", "American Life", "Nothing Fails", "Nobody Knows Me", "Get Together", "Impressive Instant", and "4 Minutes", as well as her collaboration with Britney Spears, "Me Against The Music" and various collaborations with Janet Jackson, ("Throb," "Just A Little While" to name a few). He has also provided remixes for Whitney Houston, Jessica Simpson, Britney Spears, Christina Aguilera, Yoko Ono, Pink, Tori Amos, Pet Shop Boys and Mariah Carey. He was also behind the tribal house record label Star 69 and was frequently a producer of the label's releases.
