A mix done in my home, in a moment of relaxation. Hope you like it.

House music is a style of electronic dance music that originated in Chicago, Illinois, United States in the early 1980s. It was initially popularized in mid-1980s discothèques catering to the African-American,[1][2] Latino American, and gay communities; first in Chicago circa 1984, then in other locations such as New York City, New Jersey, Toronto, Montreal, London, Detroit, San Francisco, Los Angeles and Miami. It then reached Europe, and since the early to mid-1990s, it has been infused in mainstream pop and dance music worldwide. House music is centered around a 'four on the floor' rhythmic structure and may feature a prominent synthesizer bassline, synthesized or sampled drums and percussion, electronic effects, vocal samples, often with reverb or delay effects. Wikipedia: http://en.wikipedia.org/wiki/House_music

Calle 13 is a band formed by stepbrothers René Pérez Joglar (born on February 23, 1978 in Hato Rey, a subsection of San Juan, Puerto Rico), who calls himself Residente (lead singer, writer) and Eduardo José Cabra Martínez (born on September 10, 1978 in Santurce, another subsection of San Juan), who calls himself Visitante (multi-instrumentalist, vocalist, beat producer) and their sister Ileana aka PG-13 (background vocals) and occasionally Residente's mother, Puerto Rican actress Flor Joglar de Gracia (on the single "Tango del Pecado"). Stepbrothers Pérez and Cabra first got a record deal with White Lion Records after sending the label a demo tape, and after the controversial song "Querido F.B.I." was released, the group gained notoriety in Puerto Rico. In 2005, Calle 13 released its eponymously titled debut album, which became very popular due to the singles "Se Vale Tó-Tó" and "¡Atrévete-te-te!". In 2007, the group released its second album, Residente o Visitante, which was also very successful and experimented with a wide variety of genres. The album helped the group gain success throughout Latin America and win three Latin Grammys. The group released its third album, Los de Atrás Vienen Conmigo, in 2008, which won Album of the Year at the 2009 Latin Grammy Awards. Calle 13 released its latest album, Entren Los Que Quieran, on November 22, 2010. Calle 13 is noted for its eclectic musical style, often using unconventional instrumentation in its music, which distances the group from the reggaeton genre. The band is also known for its satirical lyrics as well as social commentary about Latin American issues and culture. The stepbrothers are strong supporters of the Puerto Rican independence movement, a stance that has generated controversy. For their work, the group has won ten Latin Grammy Award and two Grammy Awards.

Nero are an electronic music act from London, England consisting of Daniel Stephens and Joe Ray. Alana Watson provides vocals on many of the duo's songs, though she is not officially a band member. On 6 December 2010, Nero were announced as nominees for the BBC's Sound of 2011 poll.

Dubstep's early roots are in the more experimental releases of UK garage producers, seeking to incorporate elements of drum and bass into the South London-based 2-step garage sound. These experiments often ended up on the B-side of a white label or commercial garage release. Dubstep is generally instrumental. Similar to a vocal garage hybrid - grime - the genre's feel is commonly dark; tracks frequently use a minor key and can feature dissonant harmonies such as the tritone interval within a riff. Other distinguishing features often found are the use of samples, a propulsive, sparse rhythm, and an almost omnipresent sub-bass. Some dubstep artists have also incorporated a variety of outside influences, from dub-influenced techno such as Basic Channel to classical music or heavy metal. Wikipedia -http://en.wikipedia.org/wiki/Dubstep

As a mixing style, tech-house often brings together deep or minimal techno music, the soulful and jazzy end of house, some minimal techno and microhouse (especially with a soulful feel, such as Luomo’s music), and very often some dub elements. There is some overlap with progressive house, which too can contain deep, soulful, dub, and techno elements; this is especially true since the turn of the millennium, as progressive-house mixes have themselves often become deeper and sometimes more minimal. However, the typical progressive-house mix—which might integrate some funky house, trance, and even some hard techno at times—has more energy than tech-house, which tends to have a more “laid-back” feel. Tech-house fans tend to appreciate subtlety, as well as the “middle ground” that adds a “splash of color to steel techno beats” and eschews the “banging” of house music for intricate rhythms. Also in contrast to most progressive house, which tends to have a progression over the course of the mix ending in an ecstatic release of energy at the end, tech-house often aims at achieving an even “groove.” Although there might be dips and peaks in the energy level — any interesting mix will have them, after all—they will be more on the restrained side. As such, tech-house is found to be as enjoyable a "headphone experience" as it is a dancefloor one. WIKIPEDIA - http://en.wikipedia.org/wiki/Tech_house

Electro house is a fusion genre of house music with several other electronic dance music subgenres that came into prominence in the 2000s decade. Stylistically, it combines the minimal-processed four to the floor beats commonly found in tech house with abrasive leads and harmonically rich analogue or digital basslines derived from Hi-NRG and electroclash. The tempo is predominant of house music, meaning that it usually ranges from 125 to 140 BPM.

Having spent the last two years touring the world in support of their critically acclaimed debut - A Book Like This - Angus and Julia Stone return with their eagerly anticipated sophomore release Down The Way. On Down The Way they make their debut as producers, and develop their sound without losing the spirit of their debut.There's been a subtle shift in gear, evidence of a growing confidence - the music gravitates from sparse to rich and textured arrangements yet never loses it's etherealness and charm. Travelling has been an integral part of the Stone's musical story so its not surprising they opted to record in a number of diverse locations around the globe -an old sawmill on the river banks of Fowey, Cornwall,a studio in Brooklyn, a water tank in Coolangatta,their second home - London - and Queens in New York. Once again the duo share song-writing duties Πtheir individual styles juxtaposing yet complimenting the other.Themes of lost love and yearning weave through Down The Way, which opens with the epic and rich tapestry of Hold On. Elsewhere touches of piano and understated fingerpicking guitar light up the darkness of the sound - For You - and forthcoming single Big Jet Plane sees Angus's rustic tones rolling atop a dreamy string arrangement.Draw Your Swords - a six-minute work out building to an unrestrained crescendo;Devils Tears - gentle piano and sweet acoustic guitars - wrapping up the album. On Down The Way, Angus and Julia showcase thirteen lovingly crafted songs reflecting a myriad of emotions.Another graceful step on a remarkable musical journey. Over the course of the last three years the duo have ventured everywhere from the Scottish Highlands to the heart of the USA.This tireless touring has expanded their audience with Myspace plays now exceeding five million. With a worldwide tour kicking off in their native Australia in March the siblings are set to continue to win yet more hearts across the globe in 2010. The first single from the record, And The Boys, was co-produced by the siblings and Brad Albetta (Martha Wainwright) and the album 'Down The Way' is set for worldwide release in March.

Un remix hecho desde la sala de mi apt, con mucho respeto para ustedes. Espero les guste. BIEN BORICUA!!!!

As one of the most in demand producers on the planet, David Guetta is poised to take electronic music out of the confines of the global underground, where he reigns as the No. 1 House DJ. Joining hands and forces with some of the biggest names on the urban scene, while introducing some undiscovered talents, another level beckons. Already a multi-platinum selling artist in Europe, with three chart-topping albums to his name to date (Just a Little More Love 2002; Guetta Blaster, 2004; Pop Life, 2007), his signature sound of quirky, electro, house and dirty pop, is igniting across the rest of the world, where it was kept a club-land secret. Until now. EMI Music will release Guetta’s much-awaited 4th album late August. It features guest vocals from Kelly Rowland, Will.I.Am, Novel and long time hit-maker Chris Willis, of course. Plus there are others too hot to mention yet. Guetta has also produced the forthcoming single by the Black Eyed Peas “I Got A Feeling”. His mission is to share the love and connection Dance music is built on while bringing together music scenes that co-exist but don’t often mix – like NERD, Timbaland and Kanye - but significantly, from another perspective. Call it Electro-Hop, R&B Dance, Hip House, whatever you want, but it's the sound that will define 2009. As an artist and producer, he makes music that rocks the coolest clubs and yet sits proudly on pop radio and MTV. He uniquely and boldly treads a tightrope most DJs wouldn’t dare to traverse too: the line between being an underground DJ and having huge crossover success. That might not sound like two worlds that go together, but that he won a World Music Award and was voted the best house DJ in the DJmag Top 100 in the same year is a credit to his ability to work in both of these seemingly disparate worlds. David knows what touches people; playing in over 200 cities last year alone and up to 2 million people at a time - as well as in underground basement jams; he should. “I’m not trying to be credible,” David admits with a smile broadening across his soft, open face. “I’m trying to be incredible. It’s very easy to be underground because you just have to obey a set of codes. It’s very formulaic. But it’s also very easy to be totally pop, because it’s very formulaic too. I’m trying to do something different.” With around 70 million hits on YouTube (and climbing fast), David is as popular outside of nightclubs as he is in them. In fact, David’s video’s hold the Number 1 and No 3 spots in the most watched Electronica clips on Youtube – worldwide and of all time! To see Guetta wind a room into frenzy is something special. Technically David is one of the most impressive DJs in the house scene. Almost remixing records live, he makes loops, slams tracks together that you’d never think would go and uses vocals over other instrumentals. His sets are so dynamic that at times it’s difficult to see how he can keep the energy up. To put it simply, Guetta creates moments. “Everything I’m trying to do – in my DJing, my production – is about sharing emotion. When I’m making music in the studio that’s all I’m looking for. It’s what matters the most.!”

This year, the entire world is shuffling to LMFAO’s “Party Rock Anthem.” So far, the unstoppable track from the Los Angeles-based duo has topped iTunes charts in seven countries, and spent weeks atop the English pop charts in April and May, when the duo kept artists such as Chris Brown and Jennifer Lopez from reaching the number one slot across the pond. As further testament to the global love for the song, the vibrant music video passed twenty million views on Vevo in under two months And LMFAO’s “Party Rock Anthem” (featuring Lauren Bennett and GoonRock), is just the opening round of Redfoo and Sky Blu’s forthcoming full-length album, Sorry For Party Rocking (Party Rock/will.i.am/Cherry Tree/Interscope). “Sorry for party rocking is a party person’s excuse for having fun,” explains Redfoo, LMFAO’s member known for his gravity-defying afro. “It’s the excuse you give when someone complains,” he continues. “Let’s say your parents say ‘stop shuffling upstairs you’re waking me up!’ You can now just say ‘Sorry for party rocking, Mom…sorry for having fun.’” Redfoo’s nephew, Sky Blu, echoes the sentiment, minus the apology. “We rock the party and lead by example,” says LMFAO’s lyrical wordsmith. The duo is without question having fun in 2011, celebrating their successes by partying to the seriously infectious dance songs they have created, which prove as irresistible to radio as they do to DJs in clubs worldwide. “We make all kinds of records, and we’re serious about what we do,” says Sky Blu. According to Redfoo, the duo are more than dance/pop music creators….they are scientific spinsters of a carefully crafted soundtrack for a new generation of global party people. With LMFAO’s debut and GRAMMY® nominated full length record, 2009’s Party Rock, Redfoo showcased a new breed of music that now appeals to radio programmers worldwide. “We’re music designers,” Redfoo says. “If music is a way to communicate with people, we’re almost like scientists,” he continues. “Some people make software applications. Drama movie writers write a story that can make you cry. We’re designing something for use in the clubs for DJs and we know exactly what we built it for.” Sky Blu agrees with his cohort, adding that the group boasts skills only hinted at so far in their career, which began in earnest five years ago after their now club staple anthem “I’m In Miami, Bitch” bubbled up from the underground club scene and caught the attention of Interscope Records via the Black Eyed Peas’ will.i.am (interesting fact: Redfoo and will.i.am are childhood friends, and Foo produced the Pea’s first demo in his home studio!) But no one can say LMFAO’s success was accidental…both men have been driven for years, and passionate about music since their early teens. Prior to a set at Las Vegas’ Surrender nightclub (Blu holds down a monthly dj residency at the Wynn, while Redfoo is a monthly resident at Marquee Las Vegas inside the new Cosmopolitan), Sky said, “I’m a real DJ. But I’m also a rapper…I grew up listening to Tupac, Mos Def and Eminem.” To that end, Foo and Sky have created an entire record of rap-infused party rock anthems for their forthcoming Insterscope album, which will likely ignite dance floors from Sydney to Stockholm and all points between come summer. From the driving, propulsive, acid-house-tinged hip-hop of “I’m Sexy And I Know It,” to the sugar-soaked, synth-laden VIP anthem “Champagne Showers,” LMFAO furthers the global wave of crossover club smashes with their unique twists on this forthcoming album, which is sure to please fans well into 2012. “We’re just getting started,” says Sky, who is looking forward to the LMFAO’s summer 2011 tour with Ke$ha. Those unable to catch LMFAO on tour are at home hitting the replay button on their computers, watching one of the most buzzed about videos for dance and music fans in early 2011, “Party Rock Anthem.” “That was one of the sickest videos ever,” says Sky, who grew up dancing and shows off his moves alongside Redfoo in the high-energy video, filmed at Paramount Studios’ “New York” back lot. “We were very inspired by ‘Thriller,’ and to have an opportunity to do something like that is amazing,” the rapper said, before adding: “No one knows this about us, but we are high level athletes, and we go hard whether it’s basketball, tennis, skateboarding or dancing.” The duo’s hard work has rewarded music fans with exactly what they wanted—LMFAO’s Party Rock boasted four hit singles “I’m In Miami Bitch,” “Yes,” “La La La,” and “Shots,” all of which sold over 4 million singles, and the duo was rewarded with a nomination for Best Dance/Electronic Album at the 52nd Annual GRAMMY® Awards. The success of their debut only furthered the boys’ drive to craft epic party anthems, and today in the studio process, the goal is nothing less than sonic domination in clubs and on the radio. “Our goal was to make ‘Shots’ the number one drinking song ever, and we achieved it,” says Redfoo of LMFAO’s now ubiquitous collaboration with Lil Jon, which is played nightly at countless bars, clubs and parties around the world as an instigator of fun. “My work ethic is for someone who wants to be number one…I dream it,” Foo says. Redfoo’s sweat equity behind his public party persona is paying off. The producer has two killer Kanye West remixes under his belt, he recently produced a song on Pitbull’s new record, and his independent songs effortlessly tap into a new party zeitgeist. “There are no rules in dance music,” he says of LMFAO’s unique brand of fun-inciting anthems for radio and clubs. “It doesn’t matter if you’re rich or poor…’party’ is a whole genre that everyone was discounting, but that’s all we want to do,” Redfoo asserts. “Who wouldn’t want to be at a great party with sexy people?” LMFAO is creating the soundtrack for that party with their music, they are dressing it with their “Party Rock” clothing line, and now they are taking it international with their tours and epic DJ sets. And come summer, Sorry For Party Rocking promises to embody this ultimate party when it’s released as LMFAO’s next installment of their global invitation to the world to “just have a good time.”

Growing up in L.A. in the 60's, Grammy award winning guitarist Lee Ritenour received a rich cross section of exposure to jazz, rock and Brazilian music. From one of his first sessions at 16 with the Mamas and Papas to accompanying Lena Horne and Tony Bennett at 18, his forty year eclectic and storied career is highlighted by a Grammy Award win for his 1986 collaboration with Dave Grusin, Harlequin; 17 Grammy nominations; numerous #1 spots in guitar polls and the prestigious "Alumnus of the Year" award from USC. He has recorded over 40 albums, with 35 chart songs, notably the Top 15 hit "Is It You," which has become a contemporary jazz radio classic. In the 90s, Ritenour was a founding member of Fourplay, the most successful band in contemporary jazz, with keyboardist Bob James, bassist Nathan East and drummer Harvey Mason. The first Fourplay album in 1991 spent an unprecedented 33 weeks at No. 1 on Billboard's contemporary jazz chart. Adding to this legacy is his latest CD Smoke ‘n' Mirrors; the recently completed Grammy nominated recording Amparo, (a follow-up with Dave Grusin to their highly-successful 2001 Grammy Award nominated contemporary classical crossover CD) and producer of Gordon Goodwin's Big Phat Band's latest CD Act Your Age (which is nominated for 3 Grammys. It's been a long road since the seventies, when Ritenour's legendary Tuesday night appearances at the famed Baked Potato, with a band including Dave Grusin, Patrice Rushen, Harvey Mason and Ernie Watts became part of the musical landscape for five years. Eric Clapton, Jeff Beck, George Benson, Al Jarreau, Joe Sample, and even Bob Dylan and Joni Mitchell could be seen in the audiences that would pack the house till the wee hours of the morning. From rock to blues to jazz, his diverse music became the foundation of over 3,000 sessions as a young guitarist with a broad spectrum of artists such as Pink Floyd (The Wall), Steely Dan (Aja), Dizzy Gillespie, Sonny Rollins, Joe Henderson, B.B. King, Frank Sinatra, Simon & Garfunkel, Ray Charles, Peggy Lee, Aretha Franklin and Barbra Streisand. Not to forget the dazzling array of talent appearing on his solo works and collaborations, notably-- Phil Collins, Brazilian greats Ivan Lins, Caetano Veloso, Djavan and Jao Bosco, George Benson, Chaka Kahn, Herbie Hancock, Michael McDonald and opera great Renee Fleming.

Un remix de la canción Clandestino de Manu Chao con música de Dj Antonio, espero les guste...!

A REMIX of the song SPOTLIGHT JENNIFER HUDSON and song PHILLY PRINCESS HOUSE GUETTO mobsters. Hope you like ... Un REMIX de la canción SPOTLIGHT de JENNIFER HUDSON y la canción GUETTO PRINCESS de PHILLY HOUSE MOBSTERS. Espero les guste...