House music is a genre of electronic music created by club DJs and music producers that originated in Chicago in the early 1980s. Early house music was generally dance-based music characterized by repetitive 4/4 beats, rhythms mainly provided by drum machines,[21] off-beat hi-hat cymbals, and synthesizedbasslines. While house displayed several characteristics similar to disco music, it was more electronic and minimalistic,[21] and the repetitive rhythm of house was more important than the song itself. House music initially became popular in Chicago clubs in 1984, pioneered by figures such as Frankie Knuckles, [22]Phuture, Kym Mazelle,[23]and Mr. Fingers, and was associated with African-American and gay subcultures. House music quickly spread to other American cities such as Detroit, New York City, Baltimore, and Newark – all of which developed their own regional scenes. In the mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia.[24]
Early house music commercial success in Europe saw songs such as "Pump Up The Volume" by MARRS (1987), "House Nation" by House Master Boyz and the Rude Boy of House (1987), "Theme from S'Express" by S'Express (1988) and "Doctorin' the House" by Coldcut (1988) in the pop charts. Since the early to mid-1990s, house music has been infused in mainstream pop and dance music worldwide. In the late 1980s, many local Chicago house music artists suddenly found themselves presented with major label deals. House music proved to be a commercially successful genre and a more mainstream pop-based variation grew increasingly popular. House music in the 2010s, while keeping several of these core elements, notably the prominent kick drum on every beat, varies widely in style and influence, ranging from the soulful and atmospheric deep house to the more minimalistic microhouse. House music has also fused with several
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