House Mixes
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Akar
Akar

Akar is a DJ and producer from Malmö, Sweden. Since very young age he has had big interest for electronic music. Nowadays he is playing and producing Deep House, Tech House, Nu-Disco and chillout. It was in Ibiza 2015 where Akar became a wildcard finalist in world's biggest DJ competition and Sweden's representative at ''Burn Residency 2015'' where he was chosen as one of 20 DJs who got to be part of it where 8000 + DJs from 130 countries applied for. With mentors like Carl Cox, Philip Straub and Yousef during the bootcamp, Akar also had masterclasses by big names from the industry such as Marco Bailey, Umek, Uner, Nakadia, Jay Lumen, Tony Andrews and many more. Releases on: DeepClass records, Conic records, Itom recordings, Samui recordings, Lisztomania records, Mole music, White Cat recordings, KudoZ records Soundcloud: https://soundcloud.com/arian-doko-akar Mixcloud: https://www.mixcloud.com/ArianDokoAkar/ Facebook: https://www.facebook.com/ArianDokoAkar/ Instagram: https://instagram.com/akarabdul/ https://www.instagram.com/akarallan/ Burn Residency 2015:https://www.youtube.com/watch?v=-CLmgtxxNaA&list=PLwMumKvWdr5jugijdYni0RBBMXxooH31D Beatport: https://www.beatport.com/artist/arian-doko/400017 Contact/Bookings: Akar-a@live.com

Following since 2 days ago

DJNK1
DJNK1

Since 1991, NK promoted underground all-ages events in Toronto, Canada. DJ legend for the past 30 years, NK has been tearing up dance floors with his explosive sets of energetic, well programmed house music. NK appeared regularly on Toronto's underground radio stations and received Dr Trance's 1998 the "Artist of the Year" award for his prolific work in producing house music. As well, NK was nominated for Toronto's DJ of the Year at the 1997 Toronto DJ Awards. In addition, NK has played for almost every underground club and rave in southern Ontario and Upstate New York. NK produced house music with his partner Hatiras. They released "Everybody Reach" on FU Records; being their first musical attempt, charted in the Top Ten Underground Songs for 1996 in Toronto.

Following since 2 days ago

T-one
T-one

Toine Goossens aka T-one is geboren in Bergen op Zoom als zoon van een horeca ondernemer. T-one raakte al vroeg geintresseerd in de kunst van het muziek mixen. Dit kwam mede door bepaalde radio stations die ingezonde mixen afspeelde. Hierdoor is T-one apparatuur gaan verzamelen. Dit begon op 11 jarige leeftijd. Het begon met de bekende Technics draaitafels en een mengpaneel. In het beginvan zijn dj carriere draaide hij veel hip hop muziek maar raakte later al snel in het electronische muziek geïntresseerd. Zijn grote voorbeeld is Tiësto. Zo moest dus ook zijn oude apratuur plaats maken voor nieuw apparatuur. Nu is T-one ook aan het produceren geraakt en raakte in contact met Aroused records die hem helpen bij zijn eerste release. Zo heeft ook Saint Music Productions hem gespot en hem op het event Pirates of Dolce Vita laten draaien. Deze gig heeft hem nu al verder geholpen waardoor hij nu ook op Harem Nights, Gypsy festival en Shameless heeft gedraaid. T-one is ook regelmatig als guest dj te zien bij Erotic Lounge Club Dolce Vita, Temtation, Eindelijk weer, Circle o Club en ook in Rodenburg. Hij is nu ook opgepikt door Beatz per Marco productions die hem graag zien op hun events. Events zoals Prikkelgeil, H.o.m.e.b.a.s.s, en Let's go Bananas.

Following since 2 days ago

DJ-TroubleDee
DJ-TroubleDee

DJ TroubleDee ...Professionell Allround oldschool Mixing DJ My career as a DJ began when I had to step in as a substitute DJ in one of the hippest discos in the region in 1989, as the resident DJs had both canceled due to illness. For the first time I had to play in such a large location and so many people music and prove if I really have DJ talent and I might consider myself in this club a second time as a DJ and angeagiert, or if I will never be booked there as a DJ again. Of course, I took this opportunity as "My Chance" and gave it my best that evening and was able to actually convince the happy dancing party people and the management of the discotheque of my DJ talent. Although during my DJ gig in the mainroom of the discotheque * GOLDEN GATE * during the first 2 hours of excitement I had such shaky hands as never before in my life, that even the managing director was so amused that he grinned personally to me came to the DJ pulpit to bring me alcoholic drinks (Vodka Lemon), with the saying; "Here .. drink that calms your nerves and helps against stage fright" ...LOL So I got in the discotheque Golden-Gate so the solid commitment from there to be the 3rd Resident DJ. More and more frequently, as a DJ, I got the opportunity to make music for a whole party-night and to have the party guests dance to my whistle. In the meantime, I looked at a lot of the older experienced DJs asked a lot, practiced and improved is my MUSIC mixing with the turntables and thus learned more and more. In 1992, I hired as a DJ in the just opened discotheque WayUp. At first there was only one of the flexible replacement DJs since there were already 5 DJs in front of me. Anyway, the management of the discotheque WayUp seemed to have discovered in me great potential in terms of my talent as a DJ. Because more and more often I should now make music on the main days ... etc in short: .. within a 1/2 year I made it from the only 6th violin to the 1st violin of WayUp DJ herachie. Now as the resident DJ number 1 of this club, I now also had the biggest and full responsibility for this one. From now on, I will indicate with which music genres the club will have its success in the future. I can now formally impress the club with "my" DJ stamp by always having the right richer for the right genre and anticipating always the right MUSIC SELECTION in music shopping, which is absolutely crucial for the successful or unsuccessful future career of the discotheque is! This is the greatest trust and responsibility that a discotheque management entrusts to its No.1 resident DJ. Because as everyone knows .. runs in a discotheque constantly only bad music that does not appeal to the guests, then these guests go to another discotheque to dance and party. In addition, something like that speaks very quickly so that fewer and fewer guests come. And fewer and fewer guests means at the same time .... less and less revenue and revenue! No revenue ... means no money to pay for the staff! No revenue ... means: No money to make the necessary purchases. ERGO ... Wrong DJ selection made, as the DJ did not understand week after week to hold guests or by good mouth propaganda new guests in the club location to lure. The discotheque slip thereby unsustainable pay more and more in the red .. and must, ERGO: At some point give up and finally closing and declare bankruptcy. END of the disco So, the Nr1ResidentDJ bears full responsibility for the future of the club: WITH THE MUSIC OF THE DJ, STANDS OR FALLS A CLUB! Today, every resident DJ should be aware of this and not sell himself below value. Because today a lot of club DJs are exploited by the club owners with an outrageous tipping or free drinks as DJ-fee! Today's club operators take advantage of today's DJs absolutely and without shots, by hiring DJs who are making music all night long for 50-150 € just because those DJs are totally unaware of their responsibilities. more than 5 years i was the 1Resident DJ from Disco WayUp. also i was Resident DJ and booking event DJ in much more Clubs : *Octagon *Atlantis *TarmCenterWest *GoldenGate *Amnesia *Pacha *Indigo *Butan *Galaxy ..and other.... in the next year "2019" i have 30 years DJ Experience.

Following since 2 days ago