Place time indexed comments here...


2018 - DJ TJH - Mix - Seattle - Trance (1999-2004) - Vol. 2

 

(Vol. 2 of 3)

 

 

* * * * * * * * * *

 

 

Date of Vol. 2 DJ Mix

 

 

The Recorded DJ Mix Started at 10:00:00 PM, USA Pacific Time, on 2018 CE, September 09, and Ended 61 Minutes and 22 Seconds Later.

 

 

* * * * * * * * * *

 

 

Track List

 

 

01 - 2002 - Twinkle - Original Mix - By DJ Astrid, Tommy Pulse

 

02 - 2001 - Stay With Me - CJ Stone Instrumental - By Virtuoso

 

03 - 2000 - Strange Worlds - 2000 Remake - By Push

 

04 - 2002 - Sky - Talla 2 XLC Remix - By Dito

 

05 - 2001 - The Sun - Dumonde Instrumental - By Marc Aurel

 

06 - 2001 - The Ground - DJ Merlyn Remix - By DJ Swam

 

07 - 2003 - Silence Is Loud - Original Mix - By Altitude

 

08 - 2001 - Urban Train - Cosmic Gate Remix - By DJ Tiesto

 

09 - 2001 - Welcome To The Club - Remix - By Klubbingman

 

10 - 1999 - The Sound Of E - By Ultrashock

 

11 - 2002 - Godd - Original Mix - By Marco V

 

12 - 2004 - Miami Sunset - M. Schulz Mix - By Jan Vayne

 

 

* * * * * * * * * *

 

 

Purchase of the Source CDs for the

“Trance (1999-2004)” MP3 Compilation

 

 

The CDs that I used to make this Compilation were purchased on My Birthday, on 2018 CE, August 05, when I turned 41 Years Old. I purchased Trance Music CDs then covering the period of 1996 CE to 2009 CE, which is what I consider to be the Best Era of Trance. I Made My Purchases on Discogs and Amazon through Various Vendors. For the Compilation here, I have chosen Tracks from this purchase Released in 1999 CE to 2004 CE. This Compilation was made in 2018 CE, August.

 

 

* * * * * * * * * *

 

 

How I Mixed the Tracks for the 3 DJ Mixes in this Series

 

 

First, I Recorded the Tracks in MP3 Format from the CDs. Then I Used My MP3 Mixer to Beat Match Each MP3 Track with a Metronome set to 144 BPM, Using Classic Trance Style Beat Matching, Without the Use of a Computer Application to Assist Me, and I Wrote Down a Note of the “Pitch Adjustment” of Each of the Tracks. Then I Figured Out What “Pitch Bend”, Negative or Positive, was Necessary in the “Mix In” of Each of the MP3 Tracks, Using Classic Trance Style Beat Matching, Without the Use of a Computer Application to Assist Me, and I Wrote Down a Note of the Pitch Bend of Each Track. Then I Wrote Down a Note of the Levels of Each Track (Volume, Equalization Interval, and Gain Interval). Then I Used the Mixer to Mix the MP3 Tracks in a Total of 3 DJ Mixes, Using Classic Trance Style Beat Matching, With the Crossfader (CF) Slope set to the X-Type, and With the CF Mode set to Normal, Without the Use of a Computer Application to Assist Me, Referring to My Notes. This was My First DJ Mixing in 17 Years. I Aligned the DJ Mixes with a Temple Story.

 

I used a CD / MP3 Mixer manufactured by “Numark”, called, “Numark Mixdeck”. The Pitch Adjustment on the Mixer had a Range that I selected, between -12 Percent and +12 Percent. The Pitch Adjustment on the Mixer is Accurate to the Nearest 0.1 Percent – Hence, Each Track is Accurate to 144 BPM by Plus or Minus 0.05 Percent or Less. I did not use “Keylock” for Any of the Tracks in the DJ Mixes – With “Keylock”, Original Keys of the Melody are Retained (This is Not Likened to the “Technics SL-1200 MK2” Turntable Pitch Adjustment, where Keys Change as Pitch Shifts). Without “Keylock”, the Pitch Adjustment is Like the “SL-1200 MK2” Turntable.

 

I used the Left Side of the Mixer (Channel 1) to Play All Tracks with an Odd Number, for Both the Beat Matching Tests, and the Final Mixes. I used the Right Side of the Mixer (Channel 2) to Play All Tracks with an Even Number, for Both the Beat Matching Tests, and the Final Mixes.

 

 

* * * * * * * * * *

 

 

Sacred Tempo (144 Beats Per MKS Minute)

 

 

SON means, “Letter” (of an Alphabet). SONA means, “Little”.

 

SONThUN is the Plural Form of SON.

 

ShON means, “Writing” (Noun). ShONA means, “Plenty”.

 

SONShON means, “Calendar”.

 

ThOCTUN means, “Alphabet”.

 

ThOCTUNThUN is the Plural Form of ThOCTUN.

 

MKS means, “Meters-Kilograms-Seconds”. MKS is used as a Scientific Standard for Units of Measure in Contemporary Academia.

 

Here is how I describe Sacred Time, as based on a Rate of 144 Letter Names Per MKS Minute – I contrast True Time (the Sacred) with MKS Time (the Contemporary Standard), as follows: An MKS 10-Second period is divided into 24 parts for Sacred Time. There are 24 Writings (1 ShON times 24) per True Second (1 Letter of the 24-Letter AL UB [Universal] Alphabet is written per ShON – per Writing), which is equal to 10 MKS Seconds; there are 60 True Seconds per 1 True Minute, which is equal to 10 MKS Minutes; there are 6 True Minutes per 1 True Hour (1 SON), which is equal to 1 MKS Hour; there are 24 SONThUN (24 Hours) per 1 Day; there are 360 ThOCTUNThUN (360 Alphabets) recorded per SON, which are likened to the number of Days in a Year, and thus, the 24 SONThUN (24 Hours) are likened to 24 Years.

 

144 BPM is Ideally Equal to the Heart Beats Per Minute of an Infant Human. The Rate of the Infant Male is Fastest.

 

 

* * * * * * * * * *

 

 

Two AL UB (Universal) Alphabets

 

 

See the Top Post, “Trance (1999-2004) – Track List”, and My Later Post, “Introductory Post 12 of 12”, on My Facebook Site, “Magdi Elijah Hanan”, for Complete Details regarding the Temple Story that I have chosen to go with these Tracks, and the 2 AL UB Alphabets, Each of which have 24 Letters.

 

You can view My Complete Free Book, “Sadducee Mysteries”, on My “Magdi Elijah Hanan” Facebook Site. There are Complete Details regarding the Sadducee Temple in My Free Book.

 

I have a PDF File for Each Writing that I Posted on My Facebook Site. If You would like Copies, Email Me Your Request, and I will Email the Files You Want.

 

 

* * * * * * * * * *

 

 

Timothy John Helland (TJH)

 

 

* * * * * * * * * *

 

 

TJH Email –

alsonmum@gmail.com

(AL SON MUM)

 

 

* * * * * * * * * *

No one has left any comments yet, why don't you be the first?
2018 - DJ TJH - Mix - Trance (1999-2004) - V.2
Statistics
This Week Total
5 199
0 2
0 0
0 1
0 1